Extract from a press release:
Announced in August, Philadelphia-based punk band The Menzingers will return to their hometown to perform a special Black Friday show for all ages at the Scranton Cultural Center on November 26 at 8 p.m. ET.
Earlier this month, their current touring mates, The Dirty Nil, were added to the lineup, along with Scranton indie rock singer / songwriter James Barrett.
Tickets, which cost $ 36.50 plus fees, are on sale now at ticketmaster.com and at the Scranton Cultural Center box office (420 N. Washington Ave., Scranton).
The Dirty Nil opened the doors of 2021 with the release of “Fuck Art”, their new album via Dine Alone Records which launched the “IDGAF” attitude, conscious shamelessness and tumultuous energy of rock ‘n’ to full throttle. to roll.
The irreverent badass of Ontario, Canada, blowing the amps and winning a Juno Award – Luke Bentham (guitar, vocals), Ross Miller (bass) and Kyle Fisher (drums) – injected the classic rock heroism, the power of pop punk and indie ’80s junk,’ 90s alterna-crunch and speed metal adrenaline in this 11-track collection that balances its moments of artful emotional excavation with a limitless joy.
Upon its January 1 release, Bentham said, “Dear World, we are proud to present ‘Fuck Art’ to you. Dreams, revenge, joy and death – this is our purest glimpse of truth and beauty. Please enjoy and as always lots of love and hi, rock and roll hi.
Even before its release, Alternative Press named it one of their “Most Anticipated Albums of 2021”, calling the trio “glorious damn scientists able to stir our souls”, while Loudwire included the highlight of the album “Doom Boy” in their list of “Best Rock Songs of 2020,” recommending it for those who “enjoy pop-y, punk-y, thrash-y songs on listening to Slayer in your Dodge Caravan. mother “.
“‘Doom Boy’ is one of my favorite songs we’ve ever composed. It’s an ode to chivalry and thrash itself, and yes, it’s my mom’s Dodge Caravan,” noted Bentham. “Spin the dial and enjoy it, folks.”
The group also produced a music video for “Doom Boy” featuring the trio scrambling in a literal van – then destroying him. Bentham said it was “unparalleled the most dangerous video we have ever made. When we were told that all we had to do was return the “shell” of the van to get half our money back, all hell broke loose. Between the Roman candles, the vintage mini-bikes and the chaos of the minivans, I was quite surprised that we only had a few injuries at the end of the night. Make not try one of the antics performed in the ‘Doom Boy’ video – you’ve been warned. “
The album contains a slew of high-voltage tracks, including the aforementioned, hardcore basement ode to young love “Doom Boy”, the pop punk reflection on the vices we are releasing on “Done with Drugs” and the album. association of “Blunt Force Concussion” and “One More and the Bill”, which are all about the struggle to fight and avoid the limiting bullshit that clutters our lives as we continue our journey into adulthood.
“Fuck Art” is the irreverently uplifting and utterly indulgent rock’n’roll trio’s most eclectic collection to date, which Kerrang has called “ridiculously contagious,” while their latest album, “Master Volume” of 2018, was hailed by Vice Noisey as “the album rock ‘n’ roll deserves. The group, which opened for The Who, Against Me! and The Menzingers, also received accolades from Billboard, Stereogum, Pitchfork, and more. NME sums it up well: “If the guitar apocalypse arrives, this lot is going to throw the best party around the world.
James Barrett’s “front” looks a lot like yours. After releasing his debut LP, “The Price of Comfort”, in 2019 via Honest Face Records, the young Clarks Summit native moved on to his next planning phase, stuck between eras marked by plaintive acoustic tracks and sonic clarity. of a full group effort. In October of that year, he began writing what would become “A Series of… Mostly Nothing,” a modest name for his most accomplished work to date. It’s a love letter to the hushed splendor of The National and the spaced grandiosity of Angels & Airwaves, embellished with a theatrical identity enhanced by strings, brass and Sweetnest’s good friend Amanda Rogan lending the voice. at many times.
As 2020 became more and more unpredictable day by day, “A Series of” could have imploded. Barrett, largely a solo artist with Jake Checkoway (Sleeping Patterns, Origami Angel) as a longtime producer, brought in a cast to flesh out the experience. Time in the studio became impossible, so the album was pieced together from drum tracks recorded in Los Angeles and sessions taken in a small Old Forge house turned into a creative epicenter.
As disjointed as it was, the end product never feels incomplete, but seamless and layered. His MO rock stage bleeds for most of the running time, from bulletproof hook through “Love Song in 2020” to urgent catharsis propelling “The Art of Letting Go”. He even gives as much time to softer reflections, citing piano-centric “Yellow Paint” and “U-Haul” as balancing the album’s rock stance.
“In my head, I feel like I’m stuck in a room, revisiting the same thoughts over and over for months or years in the same way that Broadway players relive the same production every night for hours. years, “Barrett said of the record’s hypnotic drama. Like its scenic influences, “A Series of” finds time to include a cover while revolving around themes of grief, isolation and memory. But be forewarned, as Barrett explained, “emotionally it’s everywhere. “
Released by Refresh Records on September 24, the album received a busy launch party at the Scranton Cultural Center with its new band.
“I have never been so proud of anything in my life. This record makes it feel like it’s my life’s work. The time and energy I have devoted to it surpasses anything I have been able to do before. I’d like to believe that’s the one, ”he told NEPA Scene in a recent interview.
“I am incredibly excited about my group. Tyler Barrett (drums), Chris Kirby (bass) and Vinny Amarando (guitar) have been part of my training for a few years now. The addition of Jesse Morvan (lead guitar) and Chelsea Collins (synth / piano) to the group has certainly been a game-changer. We used to function as a group of five, but I felt like I needed someone on the synth full time. Chelsea have fulfilled this role beautifully and I am very happy to have it. Jesse and I have become friends over the past few years, and during the pandemic he helped me demo songs on the album. After working together all last year, I realized we have fantastic chemistry and I wanted him to be part of the band. I feel good with the people involved.
Read NEPA Scene’s full interview with Barrett on his latest album here and learn more about The Menzingers and this upcoming gig here.